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Mark S. Deniz
Writer, editor, publisher, reviewer and blogger. Founder of publishing company Morrigan Books and imprint Gilgamesh Press and editor-in-chief for review site Beyond Fiction. Also cycles, plays floorball, listens to lots and lots of music, reads a ton of books and tries to fit in some TV and film too.
Monday 5 September 2011
Friday 2 September 2011
Creeping in Reptile Flesh - now an Amazon print book!
Morrigan Books is pleased to announce the arrival of the print version of Creeping in Reptile Flesh, by Robert Hood! This collection is a rare gem so get in quick and enjoy the perils within!
Creeping in Reptile Flesh
Savage murders that leave no one dead. Politicians intent on ontological genocide. Feral creatures invading the wilds of Sydney and the Scrub. In "Creeping in Reptile Flesh" one man embarks on an investigation into a maverick Member of Parliament whose eccentric exterior may hide the seeds of apocalypse.
This collection of 14 weird tales will take you to the edge of madness and beyond ― and as a special bonus to celebrate this new edition to a classic collection by one of Australia's foremost dark fantasists, a fifteenth tale will make sure you stay there.
Want the book? The Amazon version is here!!
****Kindle version coming soon.
Sunday 26 June 2011
Writing Boom
Thanks to Andrew McKiernan, I'm finding my way back to the writing world, putting my words on file without the constant distraction of the net and my own failure to switch off my self-editing mentality.
This has been accomplished by Dark Room, (which I'm typing on now) after Andrew's recommendation for TextRoom. Yes, they are different programs but they do very similar things, as they are writing tools, designed to get you writing. They have no grammar checks, spell checks, interesting little extras, etc., etc.
I like both programs but Dark Room is just that more suited to me (in the way that TextRoom is more suited to Andrew). I don't believe either of them are better, just different, a bit like PCs and Macs...erm...wait a second there...
So, the order of the day has been to switch the laptop on, turn off the net and get Dark Room cranked up. It's working like a charm, as you can tell from this short post, getting me to concentrate on what I'm writing and not what may well be happening elsewhere on the computer.
***
My school reports had a recurring comment on them, which was "easily distracted" and not much has changed since. At least two of the staff at Morrigan Books have called me 'magpie' and that's a nickname not unwarranted.
I am in love and awe of the shiny, this is true and there is much to interest me on these machines, especially with me having a late introduction to the whole scene.
Apart from gaming machines (as that's what we used them for) such as: Spectrum, Atari and Amiga, my first serious use of computers was as late as 2000, with me only getting my first e-mail address (Hotmail) in 1999 but then not really using it until I started teaching in Sweden, September 2000.
In fact the first PC I owned was a cranky old desktop, donated by Etina's parents when we moved in together 2002 and it wasn't until 2004 when we bought this laptop (as you can see me typing of course) that the interest really started.
Nowadays I'm helping quite a few people out with software problems, hints, tips, installations and recommending programs for various usage.
I'm still not anywhere near where I'd like to be in terms of the art side but considering where I am on most of the other areas, I am sure, with some serious commitment and study, I'll be up to speed there too.
On my beloved desktop (in the other room), there will be lots of flashing and beeping going on right now, as I have my Outlook open (which is my company e-mail client, containing all of Morrigan's various e-mail accounts), Thunderbird open (the client for all my personal e-mail accounts), Facebook (for Morrigan Books), Skype (for business and to chat to family) and Word Press, to make sure all my blogs are ready to be updated.
In terms of the social network and blogging sites, today I am a member of:
LinkedIn (Morrigan Books and Personal)
Facebook (Morrigan Books, Gilgamesh Press and Personal)
Orkut (Personal)
MySpace (Personal)
Skype (Personal) (markdeniz)
Twitter (Morrigan Books, Gilgamesh Press and Personal)
Word Press (Personal, Fae Awareness Month and others) Beyond Fiction (Reviewing site))
Live Journal (Morrigan Books, Gilgamesh Press and Personal)
Blogger (Personal)
Dreamwidth (Personal)
Insane Journal (Personal)
Tumblr (Personal)
Posterous (Personal)
Digg (Personal)
Last.fm (Personal)
Flickr (Personal)
My aim is to try and keep this all updated and so this post should be appearing on all those, from Dark Room to Semagic and Live Writer to the various blogs and twitter accounts. Wish me luck, as I might need a lie down after this.
Oh and be sure to tweet, Digg, StumbleUpon and like this...
You ready for a Sucker Punch?
Being as I want to get myself back into reviewing books, music, TV and film on a more regularly basis and due to a close friend's hatred for this particular film, I thought it a good place to start.
My friend and I expressed shock in equal measures at certain TV programs being missed: for me it was his admission that he had not heard of Justified, let alone seen it and his was that I was not really interested in Band of Brothers, one of his favourite TV series. Yes, I am a convert, I have now seen seven of the eleven episodes and consider episode six (Bastogne) one of the best episodes of any series I have ever watched (but that's for a later review).
Anyway, there wasn't much said about why my friend hated Sucker Punch so much that he considered that it is possibly the worst film he has ever seen, as he was aware I was very keen on seeing it. We promised to return to the discussion once I had.
We agree on Band of Brothers’ greatness but there's no way we are going to agree on Sucker Punch, as I was pretty much drawn in from the opening scene and remained fully engrossed throughout. I've become much more of a TV series follower than a film viewer of late, more interested in the characterisation and development of key figures, especially now that a lot of the respected film actors are taking key roles in TV series but Sucker Punch reminded me of things I love about film too.
I have to say I'm a fan of both Zack Snyder as a film director and of Tyler Bates as a composer/arranger, as I thoroughly enjoyed the 2004 remake of the Romero classic Dawn of the Dead and I was pleasantly surprised by 300, having heard quite a bit of negativity about it beforehand.
Of Sucker Punch I knew nothing, except for several posters doing the rounds on the net being as I am a fan of watching a film when knowing little to nothing about it beforehand. From the poster the only thing I had gathered/assumed is that there was some Steampunk element to the film and that it would be action-based.
Well I got that but I got a hell of a lot more, as Sucker Punch’s soundtrack is one of the most innovative and punchy around. I was very impressed by Kick-Ass’ music when I watched that earlier this year for similar reasons but I think Sucker Punch takes it to a whole new level, as the film starts with two great covers, one of them possibly my favourite The Smiths song, Asleep. The soundtrack continues to move the film along and for me becomes a key character in the plot (for all the right reasons) with tracks chosen for not only their musical quality but for their lyrics too (think Baby Doll's first dance track - Army of Me by Björk - very appropriate and Asleep with its message of suicide).
But the music is only a portion of the film, albeit a very successful one, with Snyder engaging direction seen already in Dawn of the Dead but much more in 300. Sucker Punch shares with 300 the comic book adaptation elements transferred to celluloid. It's colourful, vibrant, over the top, unrealistic and total eye-candy, I just wanted more scenes, more action, more Sucker Punch.
The film is light on plot, the opening scene tragic and dark in contrast to much of what follows and then jumps into the aforementioned blockbuster action sequences, before ending with a predictable but not too disappointing conclusion. If you're looking for something with a bit more depth and substance to it, you've probably been mislead somewhere along the way.
I haven't seen anything written or discussed about the film yet, although my plan is to do that after my review is posted but I'm expecting there may well be a discussion about the favourite of the five heroines in the film.
Mine is ‘Sweet Pea’, by a country mile.
Oh and my last point: clockwork Germans in World War II = class!
Friday 24 June 2011
Midsummer?
And now I'm feeling all disjointed like something out of a Katherine Kerr novel or a Doctor Who episode, as I'm here wanting to further extol the virtues of a software program that I haven't actually praised yet. Well I have, just that the post itself took a lot more work than originally thought and so...
Oh yes, Midsummer, that's why you're here, yes...
Well you know, today was the first Midsummer I've been involved in as an official Swede (papers came through in November and the council celebrated it early June) and you'd think I might have gotten the hang of the whole thing, you know it's only the second most popular Swedish holiday after Christmas (and if you speak to some Swedes, they even rate it higher).
So gone are the days of painting my father-in-law's house, clearing off to another country and the like. Now is time for real celebrations, you know I have my children to think of, my own Swedishness - these things have gotten a whole lot more serious!
(Not helped here by the fact the wife, who has been here considerably longer than I, is away in Madrid for five days, starting yesterday.)
Started the day then with a late breakfast of cheese and bread (70% of Swedes start their day this way) and so all going well so far before sitting down with the kids to give them their first ever viewing of Ice Age (Sweden was part of the ice age you know...). I know I should maybe have gone for Pippi but...
So semi-failure ignored, I made sure to get the laundry out the machine (argh, laundry at Midsummer - no wonder the room was free, it's like going down to wash at Christmas you numpty...) and got the kids ready for the Midsummer dance around the maypole at the in-laws' (major Swede points coming up here!).
Upon arrival at the maypole, the kids express an interest in getting on the swings and playing in the den house within sight of the jumping, singing, clapping Swedes, leaving me taking photos of English/Assyrian children on swings, rather than the obligatory round the maypole shot...
(real Swedes showing us how it’s done)
Never mind, off we go back to the allotment to get stuck into some sill and potatoes pasta and mushroom omelette...oh god the point drop, the point drop.
What was that father-in-law, you want me to help you put up the small marquee tent you've bought for the allotment? Why ever not, I can't think of a better day to do that.
And so readying for home, under the protests of the youngest, happy as she is at the allotment, we leave her there and the heir and I return home, where tucking into bread and jam (think we might be giving up here) we settle down to watch Ice Age 2 (I think we have given up now).
The boy, sated and excited about big fish and sabre-tooth tigers, journeys to bed and I settle down to a bout of Talking Heads (why couldn't I have gone for Stina Nordenstam?) and plan to watch either Sucker Punch or a couple of episodes of Band of Brothers later on.
I'm not Swedified yet am I?
So honourary Swedes and real Swedes and Swede wannabees, what have you been up to today?
Tuesday 31 May 2011
Project Deadwood
It started something like this...during a chat with Sharon on Skype, in which I mentioned that I was going to watch an episode of Justified, Sharon asked me what Justified was. The subject of Timothy Olyphant came up and I made some reference to Olyphant’s character in Justified, being a modern day version of his character in Deadwood. This chat resulted in the question that shocked me to the core:
“What’s Deadwood?”
Yep, you heard right, Sharon has not only not seen Deadwood but had never even heard of it! Things needed to be set right. In customary Sharon and Mark fashion though, this would not be done in a simple way: Sharon watching the series and then confirming that I was justified (pun oh so intended) in recommending it. Oh no, this was to become ‘Project Deadwood’, wherein both Sharon and I would watch the episodes together and then write a episodic commentary on them, Sharon from the perspective of a first-time viewer and I, as someone who hasn’t seen the series for five years but is aware of all the twists and turns, eager to reveal them but making sure I don’t.
So over the course of the next few weeks/months we are going to be finding days to watch the episodes and then forcing ourselves to write the commentary before moving on to the next. We have no set deadline for this, preferring to fit this around our other projects/deadlines.
If you’re in Sharon’s position, maybe you want to watch the series from scratch, or like me, watch it all over again. Either way, you are free to join us on my blog: http://markdeniz.wordpress.com/, and on our Facebook and Twitter accounts, where we’ll post the commentaries, as well as our agreed dates for the episodes. If you have a Dropbox account, feel free to let me or Sharon know and we’ll add you to the folder, otherwise you can watch your own copies along with us.
Get yer guns!
Wednesday 23 March 2011
Vanity Press: or is it?
Following on from the cracking post by KV Taylor regarding the pricing of e-books, I was thinking about vanity press, being as that is seen as much worse than self-publishing. I remember getting my acceptance for my second novel a few years ago along with a £300 fee for god knows what, I can’t remember now, and asking a few in the know for advice. The resounding opinion was that of outrage, that I was being asked to fork out £300 to have my own book published and one of those I spoke to mentioned the self publishing route.
That was even more of a shock to me, as if I was to go out and publish the book myself then what had happened to the whole process of publishing, how could an author just decide that their book was adequately edited and ready for publication and what did that mean for me as a reader?
Two recent cases in point have strengthened my negativity to self-publishing (sorry but I’m not a fan) and that is that two authors who sent books to Morrigan Books and were subsequently rejected by me have suddenly released their books themselves less than a couple of months later. I’m aware I’m off making generalisations again, as merely because these two have done that doesn’t mean that everyone does that but it begs the question when you know it’s self-published, yes?
Something that would sway me would be if someone like Robert Hood were to publish his own novel. Firstly I’d be shocked that he’d done it, mainly because he wouldn’t need to but then I’d be very interested in reading it because it’s Robert Hood (for god’s sake!) and because the work I receive from Rob is generally ready for publication, only minor editing required (“a quick pat on the bum and sent out the door” as an editor I respect once mentioned editing writers like this).
And this brings me back to the early queries I received which are now in print. The rejection was based mainly on shoddy editing, a level I though below par for a book at Morrigan Books, as we want to whip your works into shape, not get ready for a rewrite and extensive editing project. So when I see one of these books on the market, it saddens me and frustrates me, as I gave my comments, explained what needed doing and for it to be released just makes the indie press scene look bad, because someone picking up that book and seeing its flaws might be wary of another indie book and that can’t be a good thing.
However, my post today was supposed to be about something else, as I was going to discuss a mail I got, offering me the chance to be published if I won a competition (yes, only me, you didn’t get the mail did you, suckers?). Oh I love competitions, I’m in, I’m off…but wait a minute you want me to pay $25 for the privilege of me getting a chance to be published? I’m thinking your talking vanity press here, or?
I mean I have entered the 3 Day Novel Contest twice now, being as I think it’s a cracking idea, totally mental and it gets me writing again. OK, I could do the thing on my own but there is something about this event feeling, forums and the like, knowing others are stressing over their terrible manuscripts at the same time I am. There is a prize of publication for the best manuscript sent in after the three days but to be honest it’s not really on the mind when writing, as the book is the focus.
Yet this, was a whole different kettle of fish (I wonder if that’s why Pete found a fish in the percolator):
I mean, you just send in your manuscript before a certain day and then they pick their best and publish it, no doubt using a POD (Print on Demand) facility and a dodgy cover, meaning their outlay is a fraction of what they received in participation fee. Remembering of course they are not going to spend a cent on marketing either.
And KV Taylor mentioned something about not self-publishing more out of a sense of not being able to maybe push herself enough in the promotion arena, and this is also a very tricky topic as how much do we as writers know about marketing? I mean there are degrees and such for this kind of thing and are you sure you know the border between aggressive marketing and just plain annoying. Again referring back to one of the books we rejected, based on the fact that it needed a very heavy edit (which I don’t believe for a minute was achieved in the two months between rejection and publication) the author in question has engaged in a heavy self-promotion campaign, which involves discussing all the different elements required to self-publish in a way that is painful to read.
I am now aware my post is starting to lose a little focus, mainly because it’s a culmination of a lot of thoughts that have been on my mind for a few months now, and make me fear a little bit about the industry we’re in. I’m sounding pessimistic while at the same time very positive about a lot of things in indie press. I mean we are about to announce three books that are extremely well written, require minor editing and will look very comfortable on your shelf, along with your other Morrigan books, (what do you mean you haven’t got them all yet?) and there are a few new publishers on the scene doing rather interesting things too (a later blog post).
It’s KV Taylor’s fault, she darn got me thinking!